Teesri Aankhh

Maadi hawaas ya shaori hawaas mein hum gosht post ki aankhh se dekhte hein. Agar ankhen band kar li jayen toh woh ittllaat jo roshni ke zareya parda Basarat taq pahunchti hein, ruk jati hein aur kuch nazar nahi aata. Yeh maadi aankhh ka amal hey jisay zahiri benaye bhi kaha jata hey.
Aam tor se mashhoor hey ke hum aankhon se dekhte hein, lekin ghhor karne se pata chalta hey ke dekhnay ke liye sirf aankhon ka hona zurori nahi hey. Agar asaab ka woh nizaam hazf kar diya jaye, jo Basarat ke parday se ittila ko dimagh taq pohanchata hey. Toh aankhh ke mojood hotay hue bhi aadmi kuch nahi dekh sakta. Is ka matlab yeh hey ke Basarat ke mikanzm mein ankhen jazo hein kal nahi. Aksar aisa hota hey ke koi shakhs soya hua hey aur is ki ankhen khuli hui hein lekin woh mahol ki cheezon ko dekh nahi sakta. Ankhen aur dimagh ka aasabi nizaam sab kuch mojood hota hey phir bhi usay kuch nazar nahi aata.

Is se yeh saabit hota hey ke dekhnay ke liye zehan ka mutwajjah hona zurori hey.

Misaal:

Hum ghar se daftar jatay hein o daftar pounchanay ke baad koi shakhs hum se pouchye ke rastay mein kya kya cheeze dekhi hein. Toh hum in sab cheezon ke naam toh nahi ganwaa saktey jo hum ne rastay mein dekhi hein sirf woh cheeze bana saktey hein jin par hum ne tavajja di hey.
Aik aur misaal yeh hey ke jab hum gehri soch mein hotay hein toh gird o paish ki awazon aur aankhon ke samnay paish anay walay waqeat ke baray mein hum kuch nahi bta saktey.

Ensaan ke zehan mein khayalat o ray tasawurat ka aik silsila qaim rehta hey. Tafkr kya jiye toh maloom hota hey ke zindagi ki tamam harkaat aur ranginiyan inhi khayalat o tasawurat se wabsta hein. Tamam jibilli o fitri takazay bhi khayalat se janam letay hein. Nah sirf af’aal zindagi balkay aloom o fanoon bhi insani tasawurat se shuru hotay hein.

Jab hum kharij mein dekhte hein toh mahol ki ittllaat, khayalat ke liye mehwar ka kaam karti hein. Lekin aksar aisa hota hey ke koi shakhs mahol se laa talluq betha hua hey. Is ke bavjo daal khayalat o tasawurat ki shabihein is ke zehan ke parday par banti rehti hein. Matlab yeh hey ke kharij ka aks jab roshni ke zariye parda Basarat par parta hey toh aankhh bairooni manzar ko dekhatii hey. Lekin jab khayalat o tasawurat zehan ke parday par ubhartay hein toh bahar ki roshni ka koi kirdaar nahi hota. Aadmi tasawurat ke aks ko isi terhan mehsoos karta hey jis terhan ke bahar ke aks ko daikhta hey. Tasawurat ka aks madham sahi lekin wohi maani rakhta hey jo bahar ka aks rakhta hey.

Baarha is baat ka tajurbah hota hey ke koi aisa waqea jis ne aap ko bohat ziyada mutasir kya ho ya koi shakhsiyat jis se aap dili wabastagi rakhtay hon, agar zehan is ki taraf chala jaye aur tavajja mein geherai peda ho jaye toh waqea ki juzziyat aur shakhsiyat ka khaka zehan ke screen par aks ban jata hey. Yeh khaka is terhan aks bantaa hey ke hum is ka ehsas tasweerai shakal vsort mein karte hein. Bahar se koi manzar zehan mein daakhil nahi hota, is ke bawajood hum tasweerai nuqoosh ko is terhan apne samnay paate hein jaisay woh manzar nigahon ke samnay hey.

Isi terhan jab hum so jatay hein aur hamari ankhen band hoti hein toh bhi khawab mein mukhtalif manazair nigah ke samnay atay rehtay hein. Yeh baat bhi tawatar ke sath tajarbay mein aati hey ke khawab mein ya name ghunodghi mein koi waqea nazar aaya aur kuch arsa baad wohi waqea baydaari mein bhi paish aa gaya.

Roz marrah ki in misalon mein yeh baat mushtarik hey ke manazair ko dekhte waqt ya manazair ke aks ko mehsoos karte waqt hamari maadi aankhon ka amal dakhal sifar hota hey.

Batana yeh maqsood hey ke insani nigah apne amal mein maadi awamil ki ehtiaaj se azad hey. Aik tarz mein woh maadi aankhh ke waselay se harkat karti hey aur doosri tarz mein is ka amal aankhh ke amal se Mawrah hey. Nigah ka woh rukh jo maadi aankhh ke baghair kaam karta hey baatini nigah, androoni nazar ya teesri aankhh kehlata hey.

Roohani ilm ki roshni mein aadmi ki tareef bayan ki jaye toh is ko nigah ka naam diya jaye ga aur nigah ka dar-o-madar ittllaat par hey ittllaat zehan mein aati rehti hein aur zehan mein aa kar nigah ban jati hein.
Kharij ya daakhil se jo bhi ittila zehan mein warid hoti hey. Is ki wazeh tareen tashreeh qowat basira karti hey. Basira ensaan ke andar aik aisi salahiyat hey jo zehan ko ziyada se ziyada tafseelaat se mutala karne ki paband hey. Yeh qowat jab jismani nizaam mein amal karti hey toh gosht post ki aankhh ke zariye “mushahida” amal mein aata hey aur yahi qowat maadi aankhh ke baghair bhi apna feal injaam day sakti hey. Agar maadi aankhh ki harkat ko moattal kar diya jaye aur nigah ko mutwajjah rakha jaye. Ittllaat ka silsila ruk jata hey. Chunanchey qowat basira Saood karna shuru kar deti hey.

Qowat basira jab taq apna kaam poora nah kere, is ka kirdaar poora nahi hota aur woh takhleeq ke qanoon ke mutabiq apna amal poora karne ki paband hey. Qowat basira jab Saood karti hey toh aadmi band aankhon se ghaib ki duniya ko dekhnay lagta hey. Is waqt Basarat kaayenaat ke tamam khadd-o-khaal ka mushahida karti hey. Yeh woh naqsh o nigaar hotay hein jo aik qadam agay barh kar maadi khadd-o-khaal mein muzahira bantay hein. in naqsh o nigaar ko rooh ya batin ki duniya kaha jata hey. Muraqba mein tasalsul qowat basira ko is baat par majaboor karta hey ke woh maadi duniya ke pas parda chali jaye aur nigah ka markaz woh duniya ban jaye jo zahiri aankhon se nazar nahi aati.

Jab hum aankhon se dekhte hein toh papootay harkat karte hein aur palak jhapkane ka amal sadir hota hey. Baar baar palak jhapkane se deilon par zarb padtee hey aur deiay harkat karte hein. deilon ki harkaat se bahar ki roshiniyon ka ehsas dimagh mein kaam karta hey aur dimagh ko yeh ittila millti hey ke mahol mein falan falan cheeze mojood hein. Yeh tamam harkaat is waqt sadir hoti hein jab aadmi ka rujhan bairooni duniya ki taraf hota hey aur woh apne gird o paish ke mutaliq ziyada se ziyada maloomat chahta hey. Bairooni duniya mein inhimak asaab ki makhsoos harkaat mein namodaar hota hey. Aankhh ke deiay harkat karte hein aur palak baar baar jhapak kar asaab ke andar tehreek peda karti hey. Is noiyat ki tamam aasabi therikaat maadi benaye ko harkat deti hein aur inhi ki badolat mehdood Basarat ka mikanzm kaam karta hey.

Agar nigah ko kisi aik nuqta par jama diya jaye aur palak jhapkane ka amal moattal ho jaye toh yaksoi ghalib anay lagti hey. Aur mahol ka ehsas kam honay lagta hey. Yeh baat bhi tajarbay mein aayi hey ke nuqta nazron ke samnay se gayab ho jata hey aur is ki jagah aik screen dikhayi deti hey. Is ki wajah yeh hey ke palak nah jhapkane se deilon ki harkaat mein azmhlal peda honay lagta hey aur jab aik hi manzar shaoor ki screen par qaim rehta hey toh yeh kefiyat bherne lagti hey.

Jab maadi hawaas ghalib hotay hein toh zehan aik khayaal se dosray khayaal aur aik baat se doosri baat ki taraf muntaqil hota rehta hey. Woh kisi aik khayaal par rukta nahi hey. Jab is ke bar aks amal hota hey toh shaoori hawaas maghloob honay lagtay hein yani agar dimagh ki screen par aik hi aks qaim rahay aur aankhh ke papooton ki harkaat moattal hon toh shaoor ke andar kaam karne wali ro mein thehrao waqay honay lagta hey. Papooton ki harkaat sakit ho jati hein. Nateeja mein maadi Basarat maghloob ho jati hey. Jab yeh thehrao aik hadd se barh jata hey toh nigah ki tarz badal jati hey aur baatini benaye ya dakhli zavia nazar harkat mein aa jata hey.

Jab koi shakhs muraqba karta hey toh woh tamam awamil harkat mein aajate hein jo zahiri benaye ko moattal kar ke baatini nigah ko mutharrak karte hein.

Kharji aur dakhli dono ittllaat ka dar-o-madar roshni par hey. Jis terhan kharij mein roshni ittila ka zareya hey isi terhan dakhli ittllaat bhi roshni ke zariye wusool hoti hein. Roshni mein tabdeeli waqay ho jaye toh mehsosaat o mushahdat mein bhi nazar ka zavia tabdeel ho jata hey. Din tulu hota hey aur mahol Sooraj ki roshni se Munawar ho jata hey toh hamaray ehsasat allag hotay hein. . . . . . Aur jab raat ka andhera phail jata hey toh hamari kaifiyat woh nahi rhtin jo din mein hoti hein. Agar aankhon par neelay rang ka chashma laga len toh har cheez niilii nazar aati hey aur agar surkh linz laga liya jaye toh surkh rang ghalib aa jata hey. Musalsal taiz roshni mein kaam kya jaye toh asaab mein azmhlal peda ho jata hey aur agar mahol qudrati rangon se muzayyan ho toh asaab Farhat mehsoos karte hein. Agar doorbeen aankhon p lgali jaye toh daur ki ashya qareeb nazar aati hein. Aur agar khordbeen istemaal ki jaye toh nazar nah anay wali ashya nigah ke samnay aa jati hein.

Madiyat ke dairay mein kitni cheeze aisi hein jinhein hamari ankhen dekh nahi sakteen. Bohat chhootay zarraat, atom aur atom mein aliktran, Protan aur deegar atomi zarraat hamari aankhon se oojhal rehtay hein. Jaisay jaisay faasla barhta hey. Hum ashya ki sahih heyyat aur in ki tafseelaat nahi dekh saktey. Chand so gaz daur ka darakht aur is ke pattay nazar nahi atay. Emiratein aur in ke khadd-o-khaal nigah ki natwani ki wajah se dhundley dikhayi dete hein. Science kehti hey ke atom mein aliktran markazay ke gird gardish karte hein. Maya ki saakht ki hudood mein malecule tamam simtao mein azadana harkat karte hein jabkay gas mein in ki harkat ka daira mazeed wasee ho jata hey. Bohat si cheeze hamein dikhayi hein detin lekin in ke asraat se inhen pehchana jata hey jaisay bijli ka bahao, maqnateesi maidan aur doosri bohat si laharen.
Jab hum tabee farmolon ko samnay rakhtay hue kisi ijaad ki madad letay hein toh bohat si tafseelaat, chhupi hui cheeze aur mastoor zawiye nazar aa jatay hein. Jab khordbeen ka linz aankhon ke samnay aa jata hey toh chhootay se chhota jarsooma, virus aur deegar bareek zarraat dikhayi dete hein. “electron microscope’’ ke zariye aliktran ka hayolaa nazar ajata hey. Doorbeen ka Adsa nigahon par foot ho jaye toh daur daraaz ki cheeze qareeb nazar anay lagti hein. Jis qisam aur jis taaqat ka linz aankhon par lag jaye isi munasbat se in dekhi cheeze mushahida ban jati hein.
Yeh tazkara hey is roshni ka jo kharij mein kaam karti hey. Kharji roshni ka zavia badal jaye toh hamari Basarat mein bhi tabdeeli waqay ho jati hey. Isi terhan zehan mein anay wali androoni ittllaat bhi roshni ke amal dakhal par qaim hein. Jab ankhen band kar ke zehan ko yaksu kar diya jata hey toh kharji roshni ka silsila ruk jata hey Chunanchey dakhli roshni hawaas mein nufooz kar ke is ki jagah le layte hey.